1. Mannequin Skin Photoshop Actions Images
2. Mannequin Skin Photoshop Actions Tutorial

Skin Retouching Photoshop Actions Pack 20 Human Skin PS Brushes abr. 7 Red Holiday Photoshop Patterns Floral Ornament Photoshop Pattern Green Ornament Photoshop Pattern Hair Retouching Brushes for Photoshop Benjamin Lehman Skin Retouching Brush 5 Skin Retouching Actions. Jan 11, 2021 This action gives the skin a CG-look and retains most skin details. As this action is AI-powered, no brushing is required. AI Plastic Skin - Produces the smoothest skin but with reduced skin details. Skin Airbrushing - After mattifying the skin, use the airbrushing actions to refine the look of skin. This is the same frequency-separation.

1. Photoshop actions are quite useful when optimizing photos, applying effects, and editing graphics. For this collection, we’ve handpicked some of the best free Photoshop actions you can download and use with no price to pay! Whether you’re a professional designer or a complete beginner, Photoshop actions can help you save a lot of time.
2. Highlight all your mannequin layers, then choose New Group from Layers from the top-right fly-out menu and name it 'MANNEQUINS' in the following window. Drag the folder icon over the Create a new layer icon at the foot of the palette to duplicate it. Now hit Cmd/Ctrl + E to Merge Group and rename it 'MANNEQUINS MERGED'.
3. Tap on.DNG file. Or 'arrow up' button top right and push, find Open with Lightroom or Send copy to Lightroom, etc. If you don’t have this option Save this.DNG file as image in your camera roll. Open the Lightroom CC.

Adjusting skin tone…
one of the most common photo editing tasks.

Many designers simply adjust skin tones the best they can, using their naked eye, but with unpredictable and inconsistent results.

Photoshop offers a simple way to measure the exact color values in an image and correct the color to a normal skin tone.

Besides ancestral background, there are also significant skin tone variations within each ethnic group. Both genetics and sun exposure also play a role in the wide spectrum of these variances, making skin tone correction one of the most challenging color correction tasks.

Although there is no “perfect” set of color values for all ethnicities, or for all lighting situations, there are guidelines to follow to make sure the skin tones in your subject are within the range of typical skin color for any particular ethnicity.

Photoshop gives us the tools we need to adjust the color values to within the normal range of skin color for any particular skin tone.

Skin Color Correction “By The Numbers”

We begin by measuring the current color values of the skin tones in Photoshop with the eyedropper tool. By measuring the color value in an image, and knowing what the “typical” skin tone value should be, we have our starting point. Once your image is within the normal color norm, you can then adjust-to-taste, while considering the lighting circumstances, etc. for the desired results.

We begin by first checking your settings for the Eye Dropper tool in Photoshop. Make sure it is NOT set on “Point Sample,” as that setting would only evaluate a 1 pixel square.

For this technique, we want to obtain a 5 X 5 average pixel color sample for an average color value in an area.

Shift-Click to Make a Target Area
With the eyedropper tool selected, and while holding the SHIFT key, click on an area
that is a diffused highlight (a light area of the skin, out of the shadows, having image detail).
Avoid the specular highlights of the image
(areas where the light source is reflecting off of the skin, which lack image detail).

Make a Curves Adjustment Layer

Click on the New Fill or Adjustment Layer Icon in the layers menu. In the layers Palette, select CURVES from the drop-down menu of the adjustment layer icon.

Skin Tone Color Values
Comparing Before and After

With your new Curves Adjustment Layer still selected, open the Info Pallet. You will see 2 sets of RGB values.They represent the color values within the target area that you selected by shift-clicking with the eyedropper tool.

Mannequin Skin Photoshop Actions Images

The first set of numbers is the current value skin color .The 2nd set of numbers will show you the resulting changes when you adjust the color values using the curves adjustment layer.

In the main menu, the image itself should be in RGB Color
IMAGE > Mode > RGB Color Mode
however, we want the Info Palette to show CMYK values (instead of RGB values).

Depending on your version of Photoshop, you may need to click on the little eyedropper in the info pallet and change it to CMYK. We are now ready to begin changing the skin tone color.

Correction Skin Color
Evaluating Color Values of Skin Tone by the CMYK Numbers

We are now ready to begin manipulating the skin tones. By making adjustments in the Curves Adjustment Layer, we then view the results of how those adjustments effected the CMKY values in the Info Palette.

We chose “RGB Color Mode” so there are only 4 possible curve adjustments to simplify the process (would be 5 if in CMYK Mode).

Mannequin Skin Photoshop Actions Tutorial

The first selector is the RGB channel, which effects all of the colors globally (either darker or lighter). We can also select the individual channels (red, green & blue) to make targeted color changes.

Remember the numbers on the right are our 'new' values after we have tweaked the values in the curves dialogue box, and the numbers on the left are our original values we are trying to correct.

Adjusting Caucasian Skin Tones Accurately

Under typical lighting conditions, Caucasian Skin Tone should have CMYK color values ratios in this general range:

Magenta and Yellow values should be nearly the same, but with slightly more Yellow than Magenta. Cyan should be between ⅕ to ⅓ of the Y and M numbers.Caucasians should have 0 black in the “highlight areas”.

Once the individual R-G-B channels have been adjusted to achieve an accurate overall tone, changing main RGB channel will effect the “saturation levels” to alter tones for a more fair-skin, or a more tanned look.

Example Curves Adjustments Made in this Image to Correct the Skin Tone

We began to adjust the curves in the various channels to get the numbers “in range.”

Since the sample we targeted with the eyedropper was a highlight, make your adjustment point in the highlight area (right side) of the curves adjustment dialogue box.

As we inspect the values in this example, the only color that is significantly out of range is the Cyan, which is too high.

Remember that the Cyan should be no more than ⅓ of the values of Magenta and Yellow.

In this example image, the original Cyan value is 16, whereas the Magenta is 34 & Yellow is 36. We know the Cyan is too high since it's current value of 16, and when multiplied 16 X 3 = 48, way more than the Magenta and Yellow numbers.

NOTE – when you adjust one channel, it also effects the other channels too, so you need a bit of back-and-forth to get it right.

In this example, to get the numbers within the 'normal range' the red channel was adjusted up a bit, and the blue channel adjusted down. After the adjustments were made it appeared a little over-saturated, so the global image was lightened slightly lightening the color saturation in the RGB channel.

When making your adjustments in the curves dialogue box, you might find it helpful to think of the channels as:the blue-yellow channel, the green-magenta channel, and the red-cyan channel, as that is what they actually effect.

Caucasian Skin Tone Variations

Most Caucasians fall in the range of 5-20% more yellow than magenta. A light skinned Caucasian adult could be as low as 20% magenta, 25% yellow. Bronzed Caucasian could be as high as 45% magenta, 62% yellow. A fair-skinned, pinkish baby could be as light as 15% magenta, 16% yellow.

Common Skin Tone Examples
Various Ethnicities and Tints

Here are a few examples of some CMYK values for various ethnicities and saturations of skin tone, but remember that these values can vary widely, so take them as a very loose guideline only. It's easy to oversaturate African-American skin, so be careful there. Asian and Hispanic skin will typically have 10-20% higher yellow than magenta.

Skin Tone Final Adjustments

Following these CMYK guidelines will help to make sure the skin tones in your subject are within the range of typical skin color. From there simply use your best judgment to fine tune the image. Remember, if you intend to print the photos, change your images to CMYK color mode, as output devices and commercial printing companies can not print in RGB. See Color Gamma.

Credits and Recognition

The above skin tone color correction technique is an adaptation of a Lynda.com training video by Chris Orwig. Chris is a photographer, author, speaker and teacher. If you take your Photoshop training seriously, we highly recommend Chris's training. His use of adjustment layers is truly amazing! A word of warning, his enthusiasm regarding Photoshop (and life in general) is contagious.

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There are a few different Photoshop retouching methods out there to remove blemishes and achieve flawless skin. However, today I will be focusing on one in particular that I believe is the BEST way to retouch skin AND I will be giving you a free Photoshop Action that you can download so you can always produce these results.
First, let’s just go over the different kinds of techniques that are out there. Among the most common are:
1. PS tools on a duplicate layer
Using either one or a mixture of the Healing Brush, Clone Stamp, and Patch Tool you can touch up skin imperfections on a new duplicate layer of your image. I always encourage you to keep an original of your image on the bottom layer in case of mistakes.
2. Frequency Separation

This process puts high and low-frequency information onto different layers.

High-frequency information holds all the details like hair, texture, pores, fine lines, and skin imperfections.
Low frequencies carry information about shadows and skin color.
3. Dodge & Burn
This technique is when you lighten and darken specific parts of your photo using local curve adjustments.
When using this technique for skin retouching, you want to lift dark spots of the skin and darken light spots of the skin to create a smooth transition and visually clear skin.
We will be focusing on the third technique, dodge & burn because this is a non-intrusive technique that does not damage pixels within your file.

What you’ll get when you downloading your FREE PS Action

Inside this free action you will find already made curve adjustments neatly packed into their appropriate folders so you stay organized while editing.

Copy 2 Layer:
This layer will create a desaturated duplicate of your bottom layer. This is because when looking at transitions between skin we do not want to confuse color in this process. Therefore it is best to work in black and white, and you can delete this layer at the end of the skin retouching process.

Local D&B Folder:
Use local D&B for small details on skin (blemishes, and spots). Work on these layers first to make skin transitions as smooth as possible.
Global D&B Folder:
use these layers to do “big picture” D&B. For example: if you need to darken the entire under-cheek area, or contour around the face.
Eye Layer:
Use this layer to brighten eyes.

While on your adjustment layer, use a soft brush between 5-20% opacity and brush over the opposite color on your mask layer. This means where you have a black mask layer, use a white paintbrush at a low opacity to paint over on your file where you want to brighten or darken certain areas.

To show you how to use it I will walk you through a recent skin retouching that I have done. Please note that this model has beautiful skin, but cameras tend to capture all details within the skin that normally our eye would not notice.

Step one: Open your file and apply your FREE PS Dodge & Burn Action

You can find this in your Actions tab, or by going to Window > Actions, then select Dodge & Burn and hit the play button.

Step two: Work on your Skin retouching in the individual layers by “painting” on white with a soft brush on a low opacity

Do this for your local adjustment layer (details/blemishes) and global (big picture/contouring). Keep working and building up your painting. Be patient because this can take time and lots of attention to detail!

Remember that you’re working with a black & white copy that you can later delete. Here’s what this process looks like without the b&w adjustment layer on.

And Voila! Smooth skin with minimal pixel manipulation. If you have any questions please feel free to reach out and ask me. I hope you enjoy your free PS Dodge & Burn Action!